Showing posts with label concert. Show all posts
Showing posts with label concert. Show all posts

Wednesday, June 7, 2017

Why I Rarely Go To Concerts in Japan Anymore: Guest Lists

(Pardon this rant....)

This is an open-letter to music and concert promoters in Japan. I'm writing this for me, but you can be sure that there's lots of industry insiders who feel the same way I do (if they don't, they were brought up under rocks and households that didn't teach them any manners either, so forget 'em.)

Promoters of Japan, I want to discuss a BS issue. I think it is BS how you handle "Guests" to your shows. I used to go to concerts all the time. But I stopped in 2005 or so. It doesn't seem that any promoters have the sense to think about why (or they don't care... But that's fine too!) 

This post will be hard to understand for most people. But try, OK? This isn't completely and uniquely about the music business in Japan and concerts, per se, it's mostly about manners and common sense.

I have been in the music industry since 1978. A so-called "professional" for over 30 years. I have always produced and created alternative and underground music shows. When new artists come out and need a break, I always play them first in Japan. It's what I do. It's been this way since the mid-80's.

When artists needed a break and needed airplay, I gave it to them. Sometimes, rarely, these artists struggle and "make it." Most just fade away.

When these artists come to Japan, I usually always get invited. I always get put on the "Guest List." I haven't paid to go to see a "Rock" concert in over 30 years. The last time I remember paying to see a concert was a Jazz performance. 

I don't play Jazz music generally on my shows, so it is understandable that Jazz promoters would not treat me special. I don't "help" them or their artists.

But rock or punk or alternative artists? That's different. In my most possibly confused thinking, I do help them and can help them a lot.

Just off the top of my head, artists I played first in Japan (and pushed heavily waaaaay before they became famous) were White Stripes, Amy Winehouse, Guns & Roses, Rancid, NOFX, Bawdies, Su Ko D Koi.... And a lot of others I can't recall at the moment. Maybe radio airplay doesn't mean what it used to. I get that. But it is still an awesome rush and bragging rights when one of the 5 FM stations in all of Tokyo plays your tunes for the first time.

But I digress....

Back to guest lists... It used to be that "Guest List" meant that you were a guest. Like in the word, "Guest" like G-U-E-S-T. That meant I could get into the concerts for free. I'd walk up to the door, say my name, and they'd let me in. I didn't have to pay any money.

Not anymore.

About ten years ago, the venues and cheap-assed producers changed the rules. Now, when they ask me to come to a show, and tell me that I'm on the "Guest List" it costs me money.

Contradiction? Yeah. And that's why it's BS. And that's why I rarely go to concerts anymore. Let me explain more.

Even though your name is put on the Guest List, in Japan, in the last 10 years or so, the claim is that the venue still charges for one drink. That one drink is usually ¥500 (about $6.00 USD). If you don't pay this ¥500 at the door, they won't let you in.

Get that? You are on the guest list, which means you are a guest but you don't get in free, but if you don't pay the fricking ¥500, upfront at the door, you can't get in. I don't get it. How could having to pay ¥500 be free? That's like having a barbecue and inviting friends over and hitting them up for money when they come to your house!

So much for being on the "Guest List." (Oh, there are still a few promoters and bands who are thinking and they don't make people who are helping them pay for drinks at the door - You know who you are! Thanks.)

It didn't used to be that way in Japan. I'll bet the foreign artists don't know this or they've been told, "It's the way things are done in Japan." Well, maybe it is, nowadays. But it didn't used to be that way. 

The first time I was "welcomed" to a concert this way was about 9 years ago at Ebisu Liquid Room. I walked up to the venue and said I was on the Guest List. They checked and I was. I walked in. Soon the door attendants stopped me and said that I had to pay ¥500

I said, "I'm on the Guest List!" They said that it didn't matter. I still had to pay ¥500 for one drink. I insisted that I wouldn't. I had never heard of such a thing. They insisted that I had to or I wouldn't be allowed entry. 

What!? Here's an artist whose music I played heavily for a few years and these clowns invite me as a guest, yet they want me to pay to enter!? No.

I turned around and walked out. 

The ridiculous part is that I like to drink and usually spend at least $30 ~ $50 on drinks at a show anyway.... But it was the principle of the thing: I was a guest but was being asked to pay money. Can't accept that.

¥500 (about $6 USD) is a paltry sum for sure. But this isn't about the money. It's about the principle. ¥500? ¥5000? ¥50,000 it doesn't matter; it's the principle of the thing that matters. And that principle means that "Guests" don't pay (unless, of course, you are running a hotel).

I didn't ask for any tickets to any shows. If I wanted them, I'd buy them. The promoters asked me to come, "as a guest" to a show. They asked me. I didn't ask them! Then they want me to pay money at the door? With the BS excuse that "it's the venue's rules"? No thanks. 

Think about that for a moment.

How about if the shoe were on the other foot? Say, your artist comes to the radio station and is a guest on my show. Can I charge you all ¥500 to get in at the door? No? Why not?

Oh, but I know that "your artist" is important to you - much more than I am of course and that's natural... As they make money for you... (OK. So let's even the tables: I don't play them anymore. You don't make money from their airplay or from my help selling their albums or their concert tickets anymore, agreed?) 

Or I start charging ¥500 at the door of the radio station to let you and your artist in... But! Aha! You can't trick me! You'll try to secretly pay for them at the door in order not to have the artist insulted (of course, who wouldn't be insulted?) But I will make that against the rules. Your artist will have to pay in person, from their own pocket, or they won't be allowed in. That's fair. 

So, this set-up, using the typical promoter's rationale and lack of common sense, seems a good deal. No? Why not?

You sure are hard to please! 

How about this option, then: If I have to pay ¥500 to get into your show that you asked me to attend, then let's make it fair? How about I don't go to any shows at all and I don't play your label's music anymore... That's fair. (And, actually, probably better for music in general and for everyone else.) Then, if I want to go see your artist, you sell me a ticket. If I want a drink, I'll buy one.

For my radio show that you guys always ask for support, on-air plugs for your artist's shows, and for allowing your artist to be a guest on-air (trust that there's lots of artists and labels who ask to be guests and we politely say, "No!") I can't charge you a measly ¥500 each to get in? Why not?

It's only ¥500 yen. No big deal, right?

At least, in the case of my radio show, I generally don't ask your artist to be a guest on my show (it's a music show. Not an interview show. I don't really want any artists on it at all actually). If and when I do ask you a favor to have your artist be a guest on my show, you can bet that your artist will treated as a guest and not be charged anything for entry... In fact, I always buy guests drinks. Any guest to my show will attest to that!

My mother was a good woman and taught me manners and a little bit of common sense.

Treating guests as if they were special?! My, what a quaint and out-dated, old-fashioned notion! 

It seems doing favors for labels and promoters in Japan and being a "Guest" isn't a two-way street. 

So that's why I rarely go to concerts anymore. I do go to concerts run by promoters who either have some manners and common sense, or they've read this blog post! Chuckle!


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NOTE: This is not an attack on any artists. I like the music of all artists I play. This is a complete attack on promoters.... On top of pissing me off about this pay at the door BS, they give me pressure to show up at the shows or give me grief after the show when I don't show up. 

PS: AND ANOTHER THING! I also think it's total bullshit that the fans - the ticket-buyers, who buy tickets for entry - should have to be charged again when they arrive at the venue. People already pay exorbitant sums to go to concerts in Japan; sometimes paying $80 ~$150 (USD) or more for a show to see ONE artist and then the get hit for a ¥500 ~ ¥1000 drink charge at the door? Nonsense! 

No wonder the music business in Japan is doing so poorly. It's run by people who don't know how to treat other people (as in people with money who they need to make a living) properly. If they thought about it for half-a-second they'd realize that people don't like being treated like this. THAT'S one big reason why concert ticket sales are down!


---------------------------

UPDATE: Working at radio and promoting music (especially alternative music) is a low-paying crappy job (in spite of how cool people think it is)... So getting treated with the cheap-assed trick at a venue door is just like being kicked. My wife was just making fun of me about this article and saying that I might be perceived as acting like a bratty kid... If so, I don't intend that and I'm sorry for being, well, for being a bratty kid. 

2ND UPDATE: Bands! Managers! Artists! The only way to screw this up even worse is sending out a blanket invitation to everyone on Facebook! Gee... Makes all your "friends" feel important and wanted! NOT! 

NOTE: Hey! I hope you guys don't think I'm being a conceited douchebag.... This morning an artist "invited" me to a show and told me they'd arrange a "Discount Ticket" at the door.... That's a first. A "Discount ticket?" Wow! I stayed home and watched Youtube videos. I forgot the artist's name too... 

Sunday, July 8, 2012

SHONEN KNIFE! TONIGHT! LIVE IN SHIBUYA, TOKYO!



SHONEN KNIFE! TONIGHT! LIVE IN SHIBUYA, TOKYO!
今夜!少年ナイフ!ライブ 渋谷O-Nest!

Shonen Knife! (Left to rght: Ritsuko, Naoko, (me) Emi)

OPEN: 17:30 / START: 18:00
ADV: 3000 / DOOR: 3500 (ドリンク別)
TICKET
発売中
チケットぴあ166-769ローソンチケット74239イープラス
O-nest 03-3462-4420



Kenと僕は今夜PVを撮影しています!PVに出たいなら、是非ライブに遊びにおいで!!!Tonight I will be there shooting the video for their newest PV: “Ghost Train.” If you want to be in the video, please come to the show!




Sunday, December 18, 2011

A Message for Fathers: Most Men Die With Regrets

... They die that way because they became fathers and then, one day, they realize that they missed out on their child's childhood. My 80-year-old father mentioned this to me before he died this year.



What a waste.


Most men don't realize this until they are in their late 50s through 80s - until they die.


I am one of the lucky few. I realized it when I was in my mid thirties. The reason why I was lucky enough to realize it is because most dads get married and then they have two or three children within a few years. They also consistently repeat the same mistakes with the second and third child that they made with the first child. Then they don't get a second chance. They raise the children together, of course. Not me, my kids are 20 years apart in age.


I have four children. Julie (27) and Sheena (22) were born to my first wife. That wife and I divorced after seven years of marriage and I raised those two girls by myself. I remarried three years later and Wendy was born. When Wendy (17) got sick as a baby and then recovered from cancer, she wasn't able to live with her sisters for at least 6 years due to chemo-therapy treatments so her mother and I divorced and Wendy went away to live with her mother. 


I remarried again for the third time and Wray (8) was born.


Julie and Sheena often had trouble at school and sometimes with the police when they were teenagers. I regret that I didn't spend enough time with them, but with trying to pay to raise them, I didn't have the time I needed. I hired several nannies and they raised them. One nanny was the main one, but she wasn't full-time. I will always regret that I missed their childhood and didn't spend the time with them that I should have.


So, one day, my second wife, a wonderful woman, married me and my two daughters and Wendy was born.


When Wendy got cancer, I was devastated. One day she was fine. The next day she couldn't walk. A few days later she was in the hospital for the next 2 years. Then, when she was released she had to move away to save her life. I will always regret that I missed her childhood and didn't spend the time with her that I could have.


But, like I said, I am lucky. God gave me more chances (so, perhaps there is a silver lining to divorce). I don't want to miss Wray's childhood. When he was born, I often took care of him. I spent time with him and took him for walks everyday for the first two years in his baby carriage. Then, from age 1 1/2 until 7, I went to bed with him every night at 8 pm and we read books together before going to sleep. I make his breakfast at least 320 days a year and eat dinner with him at least 3 or 4 nights a week. I still do.


I always try to come home before 5:30 pm.


I want to live with Wray with no regrets. God gave me another chance I won't waste it. I cannot get back the time with my other children but I can make sure that I don't repeat my mistakes. I will always regret about my first three daughters, but I am trying not to regret with Wray.


You fathers please listen to me. Take my advice. 


Yesterday, Sunday afternoon, the piano school Wray goes to had a Christmas piano concert. I looked at the crowd in attendance. I estimated that there were 27 moms and about 5 grandmas there. The dads? A pretty poor showing. Seemed like 7 fathers and 4 grandfathers. With 27 moms, there should have been 27 dads but there were only 7. Where were the others? What is so important that they miss their child's performance?



The children all performed their hearts out and smiled brightly when their performances ended. Even when it wasn't my son playing, I cried at some of the performances.


Here were these innocent, pure and bright young children playing their hearts out for their moms and dads and grandmas and grandpas. Oh what a joyous occasion it was.


What an even more joyous occasion it could have been had those other 20 fathers bothered to attend. I wonder if any of those fathers were you, dear reader? Or were they you at a different time at a different occasion?


Where were those fathers? Were they Golfing? At home sleeping? Working? Like I said, ultimately what is more important to all of us than our children?


Think about it my friends, what do we work for? Why do we chase the all mighty dollar?


We do it to give our families a place to live and a roof over their heads and food and a happy family.


Think about that last part, "... a happy family." Is a family truly happy when the father is not around? Take, for example this Christmas concert. How many Christmas concerts will your 8-year-old son or daughter perform at? Well, when you stop to think about it, kids are only eight once and Christmas comes only once a year.... That means once.


How often can you go golfing or work or sleep on the couch?


I hope that you, in the New Year, will think about what I am saying. Like I wrote, very few people have the luck to have raised children that are 20 years apart in age. I do. Listen to what I say. 


Share time now with your children because now isn't coming back ever again. Give your child a hug and spend time with them while you can. 



The future is coming sooner than you can imagine. Don't kid yourself. No matter how much time you spend with your children, one day, you'll wish you had spent more. Do it now.

Monday, June 13, 2011

Yumi Okazaki Charity Concert for Smile Support Scholarship featuring Miki Asakura

You’re cordially invited to a multiple award winning pianist Yumi Okazaki’s charity concert on June 18th (Saturday) 2011 at the Office Sekkei Hall, conveniently located on the 34th floor of Izumi Garden Tower, Roppongi. 


Yumi Okazaki

Yumi will perform such popular numbers such as Fur Elise (Beethoven), Traumerei (R.A.Schumann), La Campanella (Liszt), Moonlight (Debussy), and more. Also, renowned singer Miki Asakura will also perform.




The tickets are on sale for ¥3,500 yen at the door which is equivalent to one English/Japanese dictionary. All proceeds will be donated to schools in the Tohoku region to support children’s education. The doors will open at 13:15 on June 18th; the performance will start at 14:00. 


For more information on how to buy tickets click here: http://www.wazoo.jp/open/tresinternational/


Miki Asakura


「岡崎ゆみチャリティコンサート」SMILE SUPPORT SCHOLARSHIP CONCERT
 泉ガーデン34階にある天空のコンサートホールでピアニスト岡崎ゆみ先生をお招きしクラシックコンサート。東京を一望できるガラス張りのコンサートホールで初夏の午後をゆったりと過ごしませんか?

ゆみさんのコンサートの特長は曲の合間に入る軽妙なトーク。大作曲家リストやショパンの知られざるエピソードなどを聞けば今までよく知っていた曲がまるで違った調べとなって心に響きます。



スペシャルゲストとして麻倉未稀さんのご出演も決定!



ぜひご家族のみなさまお誘いあわせのうえいらしてください。



スパークリングワインやソフトドリンクの販売コーナーもございます。
(今回の参加費はおひとり分=辞書一冊分=3500円です
 今回も参加費は全額寄付とさせていただきます。)


Top 3 New Video Countdown for May 6, 2023! Floppy Pinkies, Jett Sett, Tetsuko!

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